Self-Presentation in Amazigh Pre-Theatrical Forms: The Anzar Ritual as a Case Study — A Socio-Cultural Approach

Abstract

The study of popular literature, pre-theatrical forms, and ritual practices is regarded as one of the most significant areas in folklore studies, as these practices reflect social and anthropological dimensions and address various societal issues.
This research is grounded in the reality of culture and draws upon Erving Goffman’s theory of social interaction. It focuses on the popular traditions practiced by the Amazigh, with particular attention to the pre-theatrical forms of Béjaïa region, which warrant careful examination. The study seeks to connect the theoretical framework with practical applications by analyzing the interactions of participants during ritual practices from the perspective of the social study of Amazigh pre-theatrical forms.
The social study of Amazigh pre-theatrical forms aims to provide answers to the following research questions:
• What is meant by pre-theatrical forms ?
• How do these forms interact with the dramatic structure itself, which underlies the theatrical experience ?
• How have these forms evolved, similarly to their development in Greek theatre, from a stage of artistic absorption to a stage of aesthetic awareness ?
• How does the dramatic framework suffice to generate the social interactions that occur among individuals during the practice of these rituals ?
• What is the reality of individuals’ engagement with the dramatic dimension of these forms, and what are the motivations that drive them to participate in this engagement ?